Showing posts with label mental illness. Show all posts
Showing posts with label mental illness. Show all posts

A Documentary About “Scary” Kids Scares Me—On Behalf of the Kids

One of the families featured in A Dangerous Son (Source: HBO)
[image: A white family of four, with two young kids, on a couch together.]
Kit Mead
kpagination.wordpress.com

Content note: Discusses violence and abuse regarding children with mental illness and disability, and the Newtown shootings.

I'm not going to watch “A Dangerous Son,” the HBO documentary that tells “a story about families with children who have psychiatric disorders that lead to violent behavior.” I'm going to avoid it mostly because I have already read all of those stories. Again. And again. And again.

And I have found them incredibly disturbing each time—on behalf of the children who are being written off and exploited. Especially because, as Mel Baggs points out: Across violent and abusive sets of environments, we—the kids—are the only ones seen as having a violence problem.

And those environments are so very often the context for “violent outbursts.” Like mine.

People considered sending me to a school for kids with behavioral problems, after therapy and medication didn’t work to quell my outbursts. Because they were going after the wrong thing: It must, the psychiatrist said, be Oppositional Defiant Disorder and anxiety. Not trauma. Not communication barriers. Not what was modeled as social behavior. Just that I was a rebellious, insolent, violent kid.

A throw-away diagnosis. A throw-away kid.

And I already know the kinds of things they’re going to talk about in the documentary: Parents saying we are desperate, at our wit’s end, we’re scared of our so, so very violent and mentally ill kid. But we’re out of treatment options. The psychiatric hospital is out of beds.

.  .  .

It’s possible to advocate for and with children who are struggling and vulnerable with some level of dignity, as I have pointed out before, some level of dignity. According to NPR, the director of the film “wanted to show how challenging this situation is both for the child and the family. Often, people assume a child’s behavior is a type of parental failure.” Further, director Liz Garbus told NPR, “Destigmatizing families like Stacy’s who are going through this and seeing how hard they’re trying is really important.”

Well, yes, in part it often is a parental failure, along with the psychiatric industry and other adults in the children’s lives. Whether it is directly perpetuating abuse and violence, enabling it, or failing to recognize the abuse and trauma, it is a failure of adults in their lives. You know what else is a parental and societal failure? Filming kids at their most vulnerable as a way to showcase how “challenging” it is.

You know what’s really important?

Not, as the NAMI spokesperson in the NPR article implies, framing it as a choice between psychiatric beds and intractable violence at home. Because it does not surprise me and my friends that one of the kids’ behavior “didn’t improve” when he got home from inpatient. Because we have witnessed the violence and hostility of inpatient institutions.

Maybe a focus on trauma-informed care and removing sources of abuse and violence in the kid’s life. Maybe that’s also important. Maybe it’s important to fight for community-based services and training providers need instead of more psych beds.

It’s possible to advocate for struggling children with dignity.

.  .  .

After the Newtown shootings and a particularly bad Gawker article called I am Adam Lanza’s Mother—written by a parent about her 13-year-old son—Savannah Logsdon-Breakstone wrote an article describing being one of the “scary kids,” the right to privacy, and the dangerous assumptions and dismissals people make. Every word of the piece is important, but here is a snippet:
"My mother doesn’t regret keeping it private, between her and her private journal or her therapist. Today she was at  a consumer and family advisory for our behavioral health managed care organization (BHMCO). They read that Gawker article, and my mother was appalled. She has scary stories about me, but the idea of sharing them in a way that associated them publicly with me was a horrifying violation of privacy and good sense to her. She was struck by the negativity of the piece, of the author. And she noticed how it relies on and perpetuates stigma, and jumps to conclusions. 
"Having been one of those scary kids is scary… What made it scary to have been one is what people assume based on it — and what they assume when you don’t disclose."
I Am Adam Lanza’s Mother inspired A Dangerous Son. The author is featured in the movie.

.  .  .

And what if filmmakers had turned a camera on me capture my worst moments? Then what? Would anyone have seen the context? Would anyone have seen a vulnerable child? Would anyone have stopped to think about the young person whose future they’re so willing to damage? What this might do to them on every level of being?

No. They wouldn’t have, because it’s already happened, over and over again, to others. They chose to exploit. But they could have provided sensitivity and trauma-informed care to a young, struggling person instead.

However lost in life you may think we are: “None of us are lost causes.”
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Review of Killer Caregiver (Lifetime Movies)

[image: Promotional graphic for the movie Killer Caregiver, with a black
background, a woman's face with a malicious expression and a red filter,
and bright orange block letters reading, "Killer Caregiver".]

autisticaplanet
through1filter.blogspot.com

Content note: Some plot spoilers, mentions of violence.

Killer Caregiver stands out from the rest of Lifetime Movie Thrillers. First of all, the adults in the movie actually dress and act like believable adults, not petty, spoiled man-boys or woman-girls—though they do live in a McMansion like nearly every Lifetime movie family in the 2000's through the present. This thriller also differs from the Lifetime norm as the main character Mariah's son, Jacob, has autism.

When a male client makes an unwanted aggressive advance on Mariah (Nicole Hayden), she jumps from her van in an attempt to escape. He then becomes pinned to an entrance gate by the rolling-in-neutral car. He dies and Mariah survives, though she broke her arm while trying to free him.

In the next scene Mariah is trying to work one-handed from her home office. Jacob is heard (Jaeden Bettencourt) yelling, "Mommy!" a few times from another part of the house, and unwittingly disrupts him mom's video meeting with her boss.

We then see Jacob, a white boy who looks about nine years old, and who has sandy, longish, blonde hair and hazel eyes. He is clad in doctor's dress up clothes, with a stethoscope around his neck. He enters the room where his mother is working, and hesitates as his mom greets him and lets Jacob examine her broken arm.

Jacob is a stereotypical portrayal of an autistic boy in looks, motor clumsiness, and selective mutism. He is not the stereotypical portrayal of an autistic boy in that he makes prolonged eye contact with those speaking to him and clearly shows both cognitive and functional empathy, as demonstrated when he knocks over a glass of milk, stressing out his mom, who is on the phone. He rocks and cries until Mariah comforts him saying “It’s okay, buddy.”

Mariah decides she needs a caregiver to help her while her arm heals, and hires a woman named Tess, who (spoiler) is really not a caregiver, but the daughter of the man who tried to force himself on Mariah and then got crushed by her van. The shy and sensitive Jacob opens up to Tess, who uses him as a pawn to worm her way into the family. While this plot twist is a common one in the Lifetime revenge plot genre, Jacob’s autism puts a new spin on it.

A disabled handyman, Eugene, who does yard work for the family, suspects that Tess is trouble and tries to alert Mariah, even though Tess tries to stop him by yelling at him. Eugene goes to Mariah, but she is on the phone so Eugene waits for her to end the call. Meanwhile, Tess puts a power cord along with Jacob’s red kite into a mud puddle. Jacob gets a slight shock that could have been an electrocution if Mariah hadn't come running, grabbing her son just in time. Eugene is the one who then wrongfully loses his job for being careless.

I noticed Eugene became unable to speak when Mariah confronted him, asking him questions and accusing him of not watching out for Jacob. This is part of why he is unable to defend himself, and gets fired.

Whether Eugene is autistic isn’t brought up. Mariah only tells Tess that she found Eugene through a charity that pairs disabled adults who are “high functioning” with disabled kids. Eugene is very verbally shy and vulnerable. (I hate the broad use of the term “high functioning,” as I think it diminishes the struggles autistics with average to above average IQ face.)

I think that Jaeden Bettencourt does as good a job (for not being autistic) in portraying a sensitive and bright autistic boy with a love and talent for drawing. And it is one of his drawings that helps Mariah figure out where Tess took Jacob, after she kidnaps him by luring him out of his bedroom using a reflective mirror and the red kite.

Mariah realizes that Jacob is at Tess’s parents' home, arrives, and then discovers the noose Tess’ mom hanged herself with (after finding out that her husband had been killed in the van accident while trying to assault Mariah). Tess means to use the same noose to kill Mariah, but Jacob, who was told to go into another room by Tess, appears, grabs a baseball bat, and strikes Tess on the head, knocking her out. This frees Mariah and the police come, arresting Tess. Jacob gets to be a hero.

The movie ends with Mariah and her husband Greg (upon whom Tess does her own twisted number), renewing their vows in an outdoor ceremony. Eugene and Jacob both are included in the ceremony, Eugene in the Best Man role. I was relieved that Eugene was welcomed back and included.

Killer Caregiver contains no rant bemoaning raising an autistic child, nor does it have references to cure culture organizations as did another Lifetime movie, “Jack of the Red Hearts” (which also had a non-autistic actor playing an autistic child, though one who also does a fantastic job just as Bettencourt does in “Killer Caregiver”).

I would like to call on Lifetime to cast actually autistic actors in their movies. I would also like them to stop glamorizing acts of violence by mentally ill characters, especially when those actors aren't openly mentally ill. Portraying nearly all mentally ill characters as murderous psychopaths further stigmatizes people with mental illnesses.

In my opinion, “Killer Caregiver,” despite the cheesy title and misleading notions that it might be a plot about a caregiver killing an autistic charge, is a movie worth the watch.
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